These are (mostly) shortwave transmissions from various sources recorded in new Hampshire in the summer of 2005.here
These are (mostly) shortwave transmissions from various sources recorded in new Hampshire in the summer of 2005.
SF hardcore punk band Bad Posture recorded this album in 1983. It was produced by the band with Ted Falconi (Flipper). Bitrate 224.
Somewehere else to find already also, but this time with the right tags . This is the great soundtracks of the cult movie The Holy Mountain from 1973 composed by director Alejandro Jodorowsky together with Ronald Frangipane and Don Cherry.
One-woman noise act Child Bride makes droning, ambient, sample-laden, tribal noise that sounds like a pagan cyber-witch mourning the death of her shaman. ~Gerry Mak/Lost At E Minor. Released on CDR in 2008 by Blackest Rainbow.
Mysterious project from probably Luxembourg. Truly dark industrial atmospheres and sinister soundscapes here. The track 'Bones Of Rev. Jones' includes the speech of Rev. Jim Jones minutes before the Jonestown mass suicide. No info whatsoever available, so if anyone knows more, let us know.
These rhythms have hundreds of years of tradition behind every beat. Every group on this album consists of about ten talented percussionists. They employ 'toeres', a native form of wood-block, hand-carved from the 'Tamanu' tree, each of a different size and pitch. Several played together create a musical triad. A contrasting sound is sometimes furnished by the 'ofe', a section of split bamboo. The split section is raised and made rigid by inserting small pieces of bamboo at each end, and the instrument is played by hitting the raised slits with two bamboo sticks. The remainder of a Polynesian percussion orchestra consists of 'pahus', drums varying in size from tiny bongo-like instruments to the massive, deep-voiced bass drum, usually a hollowed-out coconut trunk covered by a sharkskin head. Each drummer has a rhythm of his own to perform, each more intricate as the drums gets smaller, and they all blend surprisingly into a definite syncopated pattern.
From Wikipedia: Obscure as this cantata may be, it should never be dismissed as insignificant. Disturbing, it certainly is: its text alone, drawn from the writings of Marx, Lenin and Stalin, is, to say the least, controversial. In ten contrasting movements it relates the story of the Bolshevik Revolution and the birth of the Soviet Union, from the battle for the Winter Palace in 1917, through the suffering of 1918 and Lenin's funeral in 1924, to the building of factories and collective farms in the early Thirties and the final consolidation of Stalin's control over the country with his new constitution of 1936. Begun by Prokofiev in 1936 on commission from the All-Union Radio Committee, it was finished the following summer. Prokofiev expected it to be part of the celebration of the 20th anniversary of the October Revolution of 1917. Due to the political climate towards artists in 1937, Prokofiev decided to assure his safety by withholding the work. The Cantata had to wait until May 1966 for its premier, 13 years after Prokofiev's death. Ironically, Stalin was also dead and also disgraced by this time. The cantata is a type of patriotic cantata. The music is frequently unconventional and certainly way out of line with the Communist Party's populist remit of Socialist Realism. Its extravagant sound palette combines a full orchestra with typically Russian choral writing, folk instruments and the sounds of marching, gunfire and sirens, all to spectacular pictorial effect. Leaving political acceptability aside, the Cantata is a thrilling piece of music, written when Prokofiev was at the height of his powers.
Pislarven was a hardcore punk band from the Parkhof scene in Alkmaar, The Netherlands, active in the mid-90s. First line up consisted of Ruudje on vocals, Bertje Doperwtje on guitar, Wørm (ex-Disciples of Tonka) on bass and Tesselaar aka Sjakie (later Mindfok and many more bands) on drums. After Sjakie moved to Groningen, Lennaert from Boycot and countless other bands replaced him on drums. Bertje Doperwtje was already replaced much earlier by Leus (ex-Convulsion and Disciples of Tonka on guitar. They played a sort of distorted Japanese style hardcore with Dutch lyrics.
Japanese industrial band featuring Tetsuo soundtack composer Chu Ishikawa, Maki Fuji of Soft ballet and NEU of Neurotic Doll. Sort of a Japanese Einstürzende Neubauten. This is their only release, besides a couple of tracks on 'Dead Tech/No Wave From Japan' and 'NG' compilations.
2005 release by YAO 91404 D, a St. Petersburg-based industrial project. Recorded using excerpts from radio monologues, musical cuts, factory noise and based on the book of 'The Last Soviet Writer' Ilya Masodov. This CDR was limited to 68 copies.
Transatlantic gruesome team-up of SCHIZOID (one leg DIRK FREENOISE, one arm swinging the axe of The Zoid and partly braindead) and SHARKI FACE (part-time cheerleader in CRACK WAR and mysteriously part of the neon entity known as CAROLINER RAINBOW). Stuttering no-wave feedback and molten noise lava snorted at intense volumes. Like throwing slow-motion snowballs and gargling absinth in the snow, we've tried but we're not any wiser. Strings are raped, datacrushing effect swirl and non-wave dancefloor-friendly noise clouds. Will have you air-guitaring all over the place! The multi-color handsilkscreened big poster-sleeve was designed by full-time bum and part-time cripple Jelle Crama. Limited to 100 copies.
A collection of film noir music including tracks by Miklós Rózsa, Franz Waxman, Adolph Deutsch, David Buttolph, Victor Young, Daniele Amfitheatrof, David Raksin and 7 others from movies like 'Secret Beyond The Door', 'The Killers', 'Singapore', 'The Two Mrs. Carrolls', 'Force Of Evil', 'This Gun For Hire', 'Kiss The Blood Off My Hands' etc. Bitrate 320.
Solo debut from Camilla Ha (ex-vocalist of My Name Is Rar Rar). Joining dark melodies enshrouded by death-march beats all topped off with a vulgar Diamanda Galas-esque maniacal singing. Majestic and triumphant.
Assemblage of transformed and (re)structured sound material. Recorded XII/82 to XI/84. Released I/85 as LP (Selektion SLP005) and in 94 as CD (Odd Size CDOS10). Directed by Ralf Wehowsky with Roger Schönauer, Ewald Weber, Stefan Schmidt, Gerd Neumann, Thomas Memmler and Peter Lambert. The idea for 'Distruct' was born in 1982, when Harry C. Poole of Smegma-fame - in reply to the invitation for the Selektion's 'Masse Mensch' compilation - offered to send basic tracks to be completed by P16.D4. To quote Harry: "A complete tape made thousands of miles apart". As it were, Harry never sent his tape, but RLW began to organize the 'Distruct' project at the end of 1982. Material was submitted by the 14 groups/artists named below and was used - together with P16.D4-material - to compose 'Distruct'. Participants were Bladder Flask (UK, track 6 & 8), Déficit des Années Antérieures (France, track 5), De Fabriek (The Netherlands, track 10), The Haters (Canada, track 7), Philip Johnson (UK, track 1, 7 & 8), Hiroki Kocha (Japan, track 10), Merzbow (Japan, track 8), Fredrik Nilsen (USA, track 2), Nocturnal Emissions (UK, track 2, 8 & 9), Nurse With Wound (UK, track 1), Onnyk (Yoshiaki Kinno, Japan, track 3 & 6), Harold Schellinx (The Netherlands, track 2), Die Tödliche Doris (Germany, track 2 & 5), Vortex Campaign (Belgium, track 10) and Achim Wollscheid (LP-cover, Germany).
Split 7" with grindcore/punk band Excretion from Perth, Western Australia and ultra fast hardcore punk band Ultimo Rausea from Kanazawa, Japan. Released in 1994 by the German Ecocentric label.
The sound of this debut album by German artist Josef N is characterized by ritual landscapes influenced by Indian and Arab sonorities, with some anguished dark-ambient walls of sound, brutal distortions and celestial female voices. Also very particular and obsessive German speeches put an obscure atmosphere to an album that can be compared to acts like Toroidh, DDR or early Der Blutharsch.
"Chimuser (or any of his countless other ridiculous monikers) continues to give new meanings to rubbish. Ever woke up in the gutter, sweating in your own smoldering puke ? Creepy hissing layers of haunted violin manipulations and worthless objects turned into magnificent pieces of crap. No sleep and cheap gutwrenching beer are the fuel for non talent junknoise muzak. A minimal dense composition, we were lucky to caught him in one of his emo moments. Did we say dense ? Up next are the rising youngsters of harsh noise Other Peoples Children displaying their tormented stormcock. Corrosive feedback and burning distortion injected with enough youngblood energy to lay down a mammoth. Packaged in spraypainted jewel cases with glued metal objects and utter trash, most likely the dirtiest product yet under the banner of Audiobot. Limited to only 40 copies and praise the lord for that..." ~Audiobot.